Givenchy by John Galliano, Haute Couture 1996/1997
Augistine Kofie’s series entitled “Circulatory System” feature a clean delineation of geometric forms
and divisions of space with a resemblance to the technical precision of architectural drafting. Kofie’s adept grasp of sharp illustration results in a style of meticulous rendering, which never seems cold or sterile due to the delicate sense of balance maintained within each composition. Continue Reading
Louise Riley embroiders human figures using a mattress as a canvas. Usually in repose, these figures create an intimate experience for the viewer. Riley’s work demonstrates a fine attention to detail and color shading, rendering vulnerable and realistic characters out of linear and geometric forms. Part of her practice includes that of altering the flat shape of the mattress, creating rolls and curves in her mattress-canvas, or cutting shapes into or on the mattress.
From her artist statement, “When I am sewing figures, I think of the thread being strands of DNA and the stitches binary codes and the fabric (our second skin anyway) a grid and that leads me onto String theory, experiences happening alongside each other with endless alternative outcomes. These grandiose thoughts are what get me through the hours. The literal abundance of fabric and thread as domestic content and construction, not limited to gender, makes our relationship to it very intimate. I use the mattress as a backgroundless background that holds weight of experience conceptually, spiritually and physically. Blood, sweat and tears like tree rings in its core. Its presence in our rights of passage, our sleep, rest, thoughts, dreams, the theatre of life spilled out onto it. How could I work on anything else! It is a ready-made canvas, it allows my ideas to penetrate it and collaborate with it to unearth a supposed breath-taking, yet ordinary, history or herstory.”